Some snapshots from 1981, August /September when I first
arrived as a volunteer building teacher. Cultural symbols absorbed during my
first couple of weeks acclimatisation when I was put up in a rented house in a
rented house in a formerly white suburb of what was then still called
Salisbury. Zimbabwe TV logo with drums beating in the background. Oil drums and
the flag.
The skyline at Rusununguko secondary school on Blue Waters Farm, 2000 hectares
of prime agricultural land bought with Dutch aid money for an Education With
Production experiment. There's a radio mast on the hill, barely visible. The
graffiti is by Kundai, a precocious young niece of the teacher who would become
my wife.
Sister Janice was tied up with ZIMFEP, the organisation behind six new schools
dotted around the country, pursuing this educational experiment. I was brought
up fundamentalist protestant and by 1981 was basically Atheist, but was
recruited by a Catholic organisation, CIIR, which later changed its name to
Progressio 👀 and then fizzled out. I found this out while
trying to make contact with the organisation to share experience.
The mixture of youths and teenagers clearing ground for a building became
students of mine. They had been in the Bush in Mozambique during the war and
one year into independence were trying to catch up on missed education. Great
guys, but I was swamped by numbers.
This was one of the last projects I designed before I moved from Zimbabwe to Dubai. It's not very far from the first house we bought in Harare. I was looking on Google Earth for an image of that house and strayed across to look for the living units that were under construction when I left.
To my surprise the Nursery school was also there, just based on these concept
sketches. It's a home for Aids Orphans. No idea how it has developed over the
past 23 years.
This was put together very rapidly using Autocad and Photoshop (or similar) I
was quite proud of it at the time, but put it out of my mind because it never
went beyond early concept design.
The project was brought to us by Gardini and Sons a building company with
strong connections to Clinton and Evans, who had done the work on Victoria
Falls Hotel that I had been involved a few years earlier. They were always
willing to work from basic drawings plus discussions on Site.
That's an excellent way to build if you have mutual trust.











